Mycelium – Transnational contemporary dance support network

Mycelium – Transnational contemporary dance support network

Projekter är på engelska.

Dance North Scotland, Dansarena Nord (Norway), Fish Eye (Lithuania), the Regional Dance Centre of Ostrobothnia (RDCO) (Finland) and the Royal Conservatoire of Scotland (RCS) are delighted to have received short-term network funding from the Nordic Culture Point to develop an international network entitled ‘Mycelium’.

The network aims to create opportunities and facilitate connectivity between organisations, creating transnational support for dance organisations and artists in rural areas and in areas lacking appropriate infrastructures. The network, inspired by the natural phenomenon of Mycelium and based on Rhizome Theory, operates across a consortium of partners in a non-hierarchical model of clustering and knowledge transfer and aims to develop international professionalism across the board.

This initial stage of the network will focus around two main events, bringing together professionals from different fields to develop new working practices and create more practical models of cross-sectoral collaboration. In parallel, the project will undertake research into Rhizome theory as a model to inform the development of the contemporary dance sector, subsequently influencing the evolution of the network.

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About the partners:

Dance North Scotland is at the vanguard of contemporary dance – promoting and producing bold and imaginative events that offer people from across the globe to just down the road the opportunity to experience dance.

Dansearena nord support performing artists in Northern Norway to produce and tour in the region. They have strong experience in international collaboration and often work with partners abroad in order to exchange networks, to learn and find inspiration, and to give birth to possibilities that would not otherwise exist in the region at all. 

Fish Eye aims to support talented emerging artists, their creative growth and exchange of experiences, intercultural competences, trans-national mobility and good professional reconnection with the artistic colleagues and public from all over Europe. 

The Royal Conservatoire of Scotland Knowledge Exchange (KE) team lead creative enterprise activity through facilitating access to specialist business support, introductions to new partners and connections to funding initiatives and have established a raft of new programmes for freelancers and microbusinesses in the past two years.

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